K-Artists - K-ARTNOW
K-Artists
Carefully curates and introduces three representative artists from the Korean contemporary art scene each week since the 2000s.

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3 K-Artists This Week

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New Artists

Articles Artist Soojung Jung’s Imaginary Scenes Full of Life Force Soojung Jung (b. 1990) has been experimenting with her own distinctive language of figurative painting, rooted in her interest in the small and large events, narratives, and images that unfold around her. Her paintings, reminiscent of dreamlike scenes, present unfamiliar yet familiar moments that emerge from her imaginative interpretation of real-life events.
2025.11.10
Articles Artist Eunju Hong: On the Fragility and Violence Embedded in the History of Technological Progress Eunju Hong (b. 1993) views the process of technological evolution as a reflection of human desire, focusing on the fragility and violence inherent within it. Based on research into the history of technological development, the artist employs performance, experimental video, and installation to elevate the collisions between technology and emotion, matter and memory into a form of poetic tension, attentively examining the points where personal and social wounds overlap.
2026.01.12

Emerging Artists

Articles [Critique] The Process of Balancing, and Only Seeing Left - The Recognition Structure of Heejoon LEE’s Painting Consisted of Covering or Exposing His work begins with figurative representation. Yet even while painting a landscape, the artist's gaze was not directed at what lay on the other side of the landscape.
2022
Exhibitions "Tenses" on View Through July 5, 2025, at Whistle Whistle presents a group exhibition 《Tenses》 curated by KIM Sung Woo (Curator / Founder of Primary Practice).
2025.06.10

Mid-Career Artists

Exhibitions 《Tactics for an Era》, 2025.08.28 – 2025.12.28, K&L Museum In our contemporary era, we are witnessing rapid and multifaceted transformations in daily life due to the unprecedented development of artificial intelligence and digital technologies. The increasingly advanced digital
2025.08.28

Late Mid-Career Artists

Exhibitions 《My Art is My World - Encounter of the Two Worlds》, 2010.08.27 - 2010.10.10, Gana Art Center What should art think about now, and along what path should it proceed? The past century was, for humanity, a century of trials unprecedented in history. It was such a distinctive era that it necessitates recognition as a separate term—[20th-century human]. It produced a new type of human: one who had “
2010.08.25
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Pre-Established Artists

Activities Lee Yongbaek, Representative Artist of the Korean Pavilion at the Venice Biennale: “For Me, It Is Part of the Process of Completing My Artistic World” Lee Yongbaek (44). A graduate of Hongik University’s Department of Western Painting and the Staatliche Akademie der bildenden Künste Stuttgart in Germany, he is an artist who presents works that cross genres,
2010.10.06
Exhibitions 《Proximity of Longing》, 2014.11.25 – 2014.12.02, Culture Station Seoul 284 The so-called “advanced” developed nations, once seen as the future model for developing countries, have moved the currents of the world for centuries under the names of great powers or empires. Although formerly colonized and impoverished countries may have freed themselves from physical constraints, under the tide of neoliberalism, they continue to repeat new forms of colonial behavior.
2014.11.20

Established Artists

Exhibitions 《DNA: Dynamic & Alive Korean Art》, 2021.07.08 - 2021.10.10, National Museum of Modern and Contemporary Art, Korea This exhibition aims to see the whole view of Korean beauty of the past and the present alive in the contemporary comparing Korean cultural heritages with modern and contemporary arts. Based on the discourses made by art historians such as Ko Yuseop, Choi Sunu, and Kim Yongjun, ten properties have been selected to review their impact on and meaning to the modern and contemporary arts.
2021.07.06
Exhibitions 《Exposed Concrete》, 2016.10.27 - 2016.12.31, JCC Art Center The ten artists invited to this exhibition are major figures in the Korean art scene, ranging from their mid-50s to mid-60s. Continuing the lineage of Dansaekhwa, they present a solid body of work through a wide range of practices—from figurative painting employing both realist and experimental techniques, and illusionistic relief works, to diverse pieces that serve as experimental evidence of the body and objects.
2016.10.25