Installation view of 《AMOR EX MACHINA》 © Seoul Museum of Art

The Seoul Museum of Art is presenting the exhibition 《AMOR EX MACHINA》 at the Seoul Museum of Art Seosomun Main Branch through September 6, in celebration of the 20th anniversary of the SeMA Nanji Residency.

Marking its 20th year, the SeMA Nanji Residency has consistently discovered and supported more than 600 artists, researchers, and curators through a process-oriented approach to creative practice.

This exhibition brings together around 60 works—including photography, installation, video, and sculpture—by 17 (teams of) former resident artists. It explores how human nature and artistic creativity persist and transform within a contemporary environment in which technology has become a defining condition of life.


Installation view of 《AMOR EX MACHINA》 © Seoul Museum of Art

《AMOR EX MACHINA》 reconfigures archetypal narratives—repeated across classical myths, folktales, and theatrical traditions—by bringing them into dialogue with the contemporary technological environment. Drawing on classical motifs such as the myth of Prometheus, the River Lethe, and heroic narratives, the exhibition operates by rewriting these stories within present-day technological conditions.

At the same time, it reconsiders human existence through the lens of speculative imagination and posthuman perspectives, raising questions about forms of affect and relationality that persist even beyond technology.

The exhibition is structured around four major narrative strands. “Theft of Fire” addresses the convergence of technology and the body, as well as the expansion and transformation of the senses. “River Lethe” explores issues of memory and data, life and preservation.

“Strange Return” calls forth beings that exist outside systems, non-normative modes of life, and the struggles of those who elude systemic capture. Finally, “To the Origin” reflects on humanity in the age of technology, asking where the affect of love might reside.


Installation view of 《AMOR EX MACHINA》 © Seoul Museum of Art

The exhibition extends beyond a fixed mode of viewing, unfolding over time through a range of programs. These include site-specific performances by Ivetta Sunyoung Kang, audience-participatory workshops, and a series of talks at the intersection of art and science organized in collaboration with the Institute for Basic Science, as well as multidisciplinary lecture programs.

Participating Artists: Woohyeok Kang, Yesul Kim, Hyunseok Kim, Dew Kim, Minha Park, Shin Jungkyun, Ji Hye Yeom, Jiyoung Yoon, Ivetta Sunyoung Kang, Eunhee Lee, Hye Joo Jun, Young Ho Jeong, Jaekyung Jung, Heemin Chung, Jeamin CHA, CHOE Sooryeon, Felicia Honkasalo & Sam Williams