Installation view of 《On the Move》. Photo: An Chunho. © Kukje Gallery

Kukje Gallery presents 《On the Move》, a solo exhibition by Hong Seung-Hye, on view at its Busan space through June 14. The exhibition reconfigures works from various periods, recontextualized through her renewed focus on the idea of “movement,” offering a multifaceted view of the evolution of her practice.

The artist describes the exhibition as “a report on the movement of geometric images developed since entering the digital realm”. The latent movement first detected in her ‘Organic Geometry’ series, begun in 1997, reached a turning point with the Flash animation The Sentimental 1 (2002), where it began to acquire real temporality and rhythm.

Since then, her interest in movement has expanded from pixels to the human body, becoming a central sensibility that runs throughout her practice. This development traces back to an early experience, when the artist first encountered the kinetic potential of geometric forms while using the computer's “undo” function. That moment led her to pursue tools capable of generating motion more deliberately, marking the beginning of her sustained exploration of movement.


Installation view of 《On the Move》. Photo: An Chunho. © Kukje Gallery

Hong does not confine the movement of geometric imagery to the screen, but extends it into physical space through sculpture, furniture, and installation. Thus included in the exhibition are ‘Organic Geometry’ series , ‘Frame Type Relief,’ a series of sculptural works incorporating movable elements, and mobile furniture pieces such as Bench, and Back Stool, which offer a functional setting for viewing the videos.

By bringing together works from different periods across various media and formats, the exhibition reveals “movement” as a continuous and evolving thread throughout her practice. In particular, the sense of movement in the seemingly static images of ‘Organic Geometry’ is placed alongside the video works, tracing how this exploration has developed and expanded over time.


Installation view of 《On the Move》. Photo: An Chunho. © Kukje Gallery

While video remains a central part of her practice, the exhibition expands beyond by juxtaposing two-dimensional and sculptural works, inviting viewers—accustomed to moving images in digital environments—to reflect on the artist’s first encounter with the movement of geometric forms some thirty years ago. In this way the exhibition invites viewers to reflect on how this exploration has since evolved.